Angel Island — Oratorio: Chinese Exclusion, Music, and Storytelling

Location: Zoom Webinar

Charlton Lee and Kathryn Bates, Del Sol Quartet
Huang Ruo, Composer
Wei Cheng, Director of Choral Programs, UC Berkeley

The composer and performers of Angel Island–Oratorio for Voices and Strings will discuss the work, which will be performed at UC Berkeley on December 3. The Del Sol Quartet commissioned the oratorio in order to illuminate the poetry of immigrant detainees carved into the walls of the Angel Island Immigration Station and to examine the white supremacist ideology that fueled the Chinese Exclusion Act and other racist government policies.

This talk is part of a year-long program of performances, exhibitions, and talks that use Angel Island as an observatory from which to view landscapes of migration, incarceration and resistance. The Angel Island Immigration Station has sometimes been called “the Ellis Island of the West.”  But Angel Island was an ambivalent gateway, a place of incarceration and exclusion for migrants as well as an entry for half a million newcomers from 80 countries, mostly from Asia. 

A Year on Angel Island is organized by Future Histories Lab and Berkeley Arts and Design.

Huang Ruo has been lauded by the New Yorker as “one of the world’s leading young composers” and by the New York Times for having “a distinctive style.” His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folk music, Western avant-garde, experimental, noise, natural and processed sound, rock, and jazz. As a member of the new generation of Chinese composers, his goal is not just to mix both Western and Eastern elements, but also to create a seamless, organic integration. Huang Ruo’s diverse compositional works span from orchestra, chamber music, opera, theater, and dance, to cross-genre, sound installation, multi-media, experimental improvisation, folk rock, and film.

Fascinated by the feedback loop between social change, technology, and artistic innovation, the San Francisco-based Del Sol Quartet is a leading force in 21st-century chamber music. They believe that live music can, and should, happen anywhere – whether introducing Ben Johnston’s microtonal Americana at the Library of Congress or in a canyon cave, taking Aeryn Santillan’s gun-violence memorial to the streets of the Mission District, or collaborating with Huang Ruo and the anonymous Chinese poets who carved their words into the walls of the Angel Island Immigration Station.

Free and in-person; see COVID safety protocols here.

The event will also be live-streamed via Zoom webinar. To attend online, register for the webinar here.

Video of this talk will be posted about one week after the event.